Untitled (Drawing No. 14), a black-and-white geometric drawing with controlled oil stick and charcoal powder surface, showing strong positive and negative shapes.

Unnamed Glyph

(Glyph Drawing No. 11)

Charcoal, oil stick and graphite on paper

19 x 24 inches

Unlike earlier works whose titles emerged from pictorial associations, this drawing resists imposed meaning — though one may yet arise, whether for another viewer or over time. Its stark black-and-white geometry explores positive and negative space, balance and tension, stillness and dynamism. The surface is carefully controlled: oil stick dusted with charcoal powder yields an even tone, while selective rolling reveals subtle paper texture. The result is a disciplined meditation on harmony of form, surface, and tone.
Studio shot of Unnamed (Glyph Drawing No. 14) mounted on pegboard, showing scale of the black-and-white geometric drawing with balanced forms and controlled surface texture.
Extreme close-up of Unnamed Glyph (Glyph Drawing No. 14) surface, highlighting fine texture of paper, subtle variations in charcoal-dusted oil stick, white cut-ins of unmarked paper, and faint graphite grid lines beneath.