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Drawing, painting & illustration


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Untitled (Drawing No. 14), a black-and-white geometric drawing with controlled oil stick and charcoal powder surface, showing strong positive and negative shapes.

Unnamed Glyph (Glyph Drawing No. 11)

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The drawing mounted on a pegboard wall in a studio setting, shown in a wide shot to provide scale.

An Unfamiliar Character with an Unknown Accent (Glyph Drawing No. 10)

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Detail of Mountain-Lodge (Drawing No. 12), showing a coarse, uneven surface, pockmarked and bearing the traces of brayers and scrapers. Charcoal has been worked on and off the surface reavealing oil stick beneath. The black is interrupted by a sharp white shapes of the underlying paper with faint graphite grid lines.

Mountain Lodge (Glyph Drawing No. 9)

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Caretaker (Glyph Drawing No. 5) displayed on studio pegboard, showing scale. Minimalist charcoal drawing with geometric forms and subtle figurative suggestion.

Caretaker (Glyph Drawing No. 5)

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Detail of an abstract charcoal drawing, showing a distressed, pockmarked texture, interrupted by a sharp white triangular cut into the surface.

Unnamed Glyph (Glyph Drawing No. 1)

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Minimalist abstract drawing with oil stick and layered charcoal, resembling a bird’s-eye view of two neighboring rooftops connected by a shared driveway.

Neighborhood, from the Air (Glyph Drawing No. 7)

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Minimalist abstract charcoal drawing King / Begging Dog (GlyphDrawing No. 4), showing textured triangular forms and subtle compositional shifts within a rigid grid.

King / Begging Dog (Glyph Drawing No. 4)

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Charcoal drawing on paper, Girl (Glyph Drawing No. 3), showcasing grid-based composition, clean and even texture, and emerging iconographic forms with digital cyberpunk influence.

Girl (Glyph Drawing No. 3)

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Abstract painting with shifting shapes and tones, evoking both familiarity and unease through subtle changes in perception.

“S” is for Snake (Glyph Drawing No. 2)

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All images © Andrew J. Seles. All rights reserved.

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